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Printing Industry Exchange (printindustry.com) is pleased to have Steven Waxman writing and managing the Printing Industry Blog. As a printing consultant, Steven teaches corporations how to save money buying printing, brokers printing services, and teaches prepress techniques. Steven has been in the printing industry for thirty-three years working as a writer, editor, print buyer, photographer, graphic designer, art director, and production manager.

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Commercial Printing: High-End Packaging Reflects Artistry and Luxury

I’d like to describe the packaging of a straightening iron my fiancee just bought. Perhaps “gush about it” is a better phrase, since this box really impressed me in its design and custom printing work.

This box exemplifies the value manufacturers place on product packaging to sell a luxury item. Depending on the length of the press run, my guess is that the box may have cost several dollars or more to produce each unit. Since it contained a $30.00 professional hair care tool (marked down from over $130.00), the money that went into the packaging was not an inconsiderable portion of the total cost.

The Physical Dimensions of the Box

The box is about 3” high, 12” long, and 6” deep. The hinged box top comes forward, and a flap extending beyond the front of the box snaps shut on the cardboard. Upon close examination, I saw two magnets under the printed paper.

The bottom, back, top, and front are all of one piece, extending slightly beyond an inner box. The cover looks like a case-side produced by a hardcover book printer. Built over thick binder’s board, the cover comprises an outer press sheet with turned edges extending into the inside of the box cover. In much the same way as an endsheet of a case-bound book covers the turned edge paper covering the print book, an additional press sheet covers the inside of the flat iron box cover, extending almost to the turned edges of the exterior paper.

Inside the box is a molded plastic tray for the ceramic flat iron, hair straightening tool. The visible side of the tray is coated in something like a soft-touch UV coating. It ‘s soft and fuzzy, like the skin of a peach.

Finally, there are three, tri-fold brochures in the box, printed on heavy, film-laminated text stock (one in English, one in Spanish, and one in French).

The Custom Printing (Inside the Box)

The interior press sheet, laminated to the cover paper where it folds over the turned edges and extends into the box is printed in a metallic ink in faux zebra stripes. The metallic silver ink stands out against the matte black background. Both inks are very thick.

Initially, I thought this was a sample of custom screen printing. However, using my loupe I saw halftone dots under the black ink. At this point (without knowing for sure), I assumed that the pressman had printed a screen of black and then a second hit of solid black to increase the density of the black ink. Furthermore, I thought he might have done the same with the silver (perhaps a double hit of the ink).

The interior of the innermost box seemed to be a slightly mottled, matte black. I thought it might be flexographic printing.

I also saw where the dull exterior press sheet (maybe 80# text) had been turned over the edge of the box, extending an inch or so into the interior before being glued flat against the binder boards that comprise the box.

The Custom Printing (Outside of the Box)

The outside of the box is matte black (perhaps a double hit of black plus a dull UV coating or varnish). Black metallic foil cut with a die and applied with heat and pressure comprises a text-only design of words related to beauty. The evenness and sheen of the black, hot-stamped words suggest that they are made of foil rather than ink. A similar effect could have been produced with gloss UV coating over a matte black ink, but the intensity of the contrast makes me think this is hot stamping foil.

White, silver, and yellow type and graphics adorn the exterior of the box. The silver is clearly hot stamping foil due to its reflective metallic sheen, but I’m not sure about the yellow. It’s so rich. Maybe it includes some fluorescent ink or some opaque white mixed into the PMS yellow (there are no halftone dots, so it’s not a color build). Or maybe it’s a double hit of yellow. The dull silver zebra stripes are more subdued than the silver type, so I would assume the stripes have been created with ink rather than hot stamping foil.

What Can We Learn from This?

Product packaging is going strong. Even in the midst of a sea change in magazine printing, book printing, and newspaper printing, the sale of product packaging is actually growing.

The flat iron straightening tool was a $130.00 piece of hair stylist’s equipment until it was put in a discount store. The box designer (and the marketing people backing her or him) assumed that a $5.00 (just a stab at the price) box would sell a $130.00 straightening iron. That’s a fair commitment of money as well as design and production time.

My personal belief is that until a material can be invented that will encase products in a screen onto which digitally projected images can be projected, we will have both high-end and low-end product packaging. Tiffany & Co. and other luxury stores will provide shopping bags that are works of art. Even the boxes in the grocery stores containing microwavable dinners will be around for the foreseeable future.

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